Lowkey Doom casts spells with choonz and always keeps u on ur toes.
Richard Bailey has been releasing electronic music under the pseudonym “Proem” since 1999. He has released a sizable collection of full lengths, ep’s, and various artist appearances for underground electronic labels such as n5md, merck, hymen, and toytronic.
Making sounds in one form or another since the late 90’s. Now broadcasting noise from the void on twitch. Electronics engineer. Programmer. Skull enthusiast.
Droops was a writer and former music editor for various music magazines back when electronic music was still mostly underground. He’s based in Chicago, and was a DNBID co-founder and Soul Foundation DJ. These days, he’s a friend to animals and houseplants; a product manager; avid reader; cyclist; and casual gamer. He’s always looking forward to sharing shelves of records, stacks of CDs, piles of cassettes, and hard drives full of tunes with you.
Wade Wright is a producer and multi-instrumentalist based out of NYC as well as a Drum & Bass DJ who has worked with DJ Dara, Sean “The Shooter” and DJ DB’s Breakbeat Science NYC / Orgone Recordings, John B’s Beta Recordings UK / Chihuahua, EvilBase Recordings, BeatCamp Miami, Drumwerks, TheMission, Promise Family and radio/internet program “The Dub Circuit” on WOMBRadio in the early 2000s as a member of New Republic, Drum and Bass live PA ‘Thorns’ and the EBR Kru.
Shok is a producer, composer and multi-instrumentalist who sings, plays drums & percussion, bass, guitar, piano, cello, trumpet and found objects.
Production and collaborative credits include work with Daniel Ash (Bauhaus / Love And Rockets), Josie Cotton, L7’s Donita Sparks, Traci Lords, Douglas McCarthy (Nitzer Ebb), Technical Itch, DJ Superstar Keoki, and Tres Vampires, a project with Johnette Napolitano of Concrete Blonde and David J. of Bauhaus / Love And Rockets.
Notable remixes: Fischerspooner, Nick Cave and Warren Ellis’s Grinderman, Gotye, Mirah, Juno Reactor, KMFDM, Combichrist, Fun Lovin Criminals, Hurts, Information Society, Isaac Hayes & Burt Bacharach, Godhead, autoKratz featuring bassist, Peter Hook (Joy Division / New Order) and Haujobb.
Shok composed music for Nickelodeon cartoons, A&E’s Biography, Paramount Pictures, Fox, Miramax, M. Night Shyamalon, PS3, Newgrounds and Michael Bay’s Transformers in collaboration with Adam Freeland, Bassbin Twins and Alex Metric.
He has been the drummer of Mount Sims, Thrill Kill Kult and Red Light District, a 1920s, 30s Electro Swing group.
Presently, he has been producing several artists as well as taking on the role of music director and touring drummer for acts such as Crow Jane and Caroline Blind while also composing music for feature documentaries. Shok is set to release more of his own work as Zeitmahl, Lost Tapes and Emit Peels.
Noxmoderato is a PNW based multi-instrumentalist who likes to create haunting sounds and music. Nox, uses guitars, synthesizers, drum machines, and piano to craft these sounds. Follow the echoes most Saturday nights PST on Twitch.
TotoRobyn loves all things synths and swords. Based out of Boston, MA, she loves the exploration of electronic music. Primarily composes ambient and downtempo music, but can be found dabbling in various other genres like dance and chiptune.
Bleeptemple, from Canberra Australia, improvises live techno on hardware synths. All sounds are generated from hardware except some select vocal samples – he never uses presets. Born as a drummer in a 90’s grunge guitar band, Berlin techno is now his safe place. His streams are his therapy sessions and he does love sharing them with you.
New Zealand based Matt McKegg’s journey into fully live electronic music started in 2011 upon discovering just how difficult it was to perform music written on a computer in front of an audience. After a short detour speaking and performing internationally at tech conferences, he’s been keeping it local, playing many a house party and the odd summer festival. These days, using a modular / hardware synth setup sequenced by custom software running on a Raspberry Pi, he performs eartingle-infused analog techno bangers and the odd dancefloor nostalgia remix, created right there in the room on the spot.