In the depths of the simulated realm, where reality is a meticulously constructed illusion, AyoAbe arises as an audio-visual saboteur, embarking on a crusade to dismantle the simulation’s façade, one subversive MIDI note at a time.
5 Squirrels in a Human Suit that perform Techno, Industrial, and other Dark and Heavy styles of Electronic music live using a combination of digital and analog synthesizers, sequencers, drum machines, electric guitar, and vocals. 5QRL is influenced by bands such as Magic Sword, Dance with the Dead, Carpenter Brut, Perturbator, GOST, The Prodigy, Pendulum, The Qemists, and more…
mathtronic is into the spaces that exist between entertainment and creation, where interactivity is an integral part of the moments, and a community creates a shared experience together
Puptub is the electronic live hardware solo project for the guitar play from FunkOTron.
Crabsuit Lando AKA DJ Number 5 is an audio & video artist who loves to mix various styles of music. Crabsuit Lando has been mixing music and editing video since the early 2000’s. He DJ’s on TTWDOW show and MyLiveSaturdays.
A Japanese person is a rarity in the community. Not good at English? But don’t worry, I speak with electric signals, so that’s no problem. Wait, the most easily understood word is, yes, Cheers!
Shok is a producer, composer and multi-instrumentalist who sings, plays drums & percussion, bass, guitar, piano, cello, trumpet and found objects.
Production and collaborative credits include work with Daniel Ash (Bauhaus / Love And Rockets), Josie Cotton, L7’s Donita Sparks, Traci Lords, Douglas McCarthy (Nitzer Ebb), Technical Itch, DJ Superstar Keoki, and Tres Vampires, a project with Johnette Napolitano of Concrete Blonde and David J. of Bauhaus / Love And Rockets.
Notable remixes: Fischerspooner, Nick Cave and Warren Ellis’s Grinderman, Gotye, Mirah, Juno Reactor, KMFDM, Combichrist, Fun Lovin Criminals, Hurts, Information Society, Isaac Hayes & Burt Bacharach, Godhead, autoKratz featuring bassist, Peter Hook (Joy Division / New Order) and Haujobb.
Shok composed music for Nickelodeon cartoons, A&E’s Biography, Paramount Pictures, Fox, Miramax, M. Night Shyamalon, PS3, Newgrounds and Michael Bay’s Transformers in collaboration with Adam Freeland, Bassbin Twins and Alex Metric.
He has been the drummer of Mount Sims, Thrill Kill Kult and Red Light District, a 1920s, 30s Electro Swing group.
Presently, he has been producing several artists as well as taking on the role of music director and touring drummer for acts such as Crow Jane and Caroline Blind while also composing music for feature documentaries. Shok is set to release more of his own work as Zeitmahl, Lost Tapes and Emit Peels.
Cross-stitcher of bass music
Daniel C. // 39 years // France // Born at Nice 04/05/1983. Passionate about live electronic music since few years now. I play all kind of instruments just for fun (Guitar//Bass//Didgeridoo//Percussions//Mouth Harp//Lyre), I’m not a try hard or a professional, I just want to share some good moments with you all and if I can help or be helped by others, it’s an achievement for me. My ultimate style of music is “Metal” but I don’t have the level to play seriously, and I really enjoy electronic instruments now, I found my happiness with it. I am constantly searching how to upgrade my playing style and as you have already seen, I’m a melancholic, romantic musician. Music is my therapy to survive against this world which I find too materialist and egoist. She globally changing nothing but for me it’s really important to do this. I have a partial job who give me time to do my passion and I’m happy like that. I hope it will continue
New Zealand based Matt McKegg’s journey into fully live electronic music started in 2011 upon discovering just how difficult it was to perform music written on a computer in front of an audience. After a short detour speaking and performing internationally at tech conferences, he’s been keeping it local, playing many a house party and the odd summer festival. These days, using a modular / hardware synth setup sequenced by custom software running on a Raspberry Pi, he performs eartingle-infused analog techno bangers and the odd dancefloor nostalgia remix, created right there in the room on the spot.